The Hardy Tree, St Pancras on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, old and crusty Fuji Neopan 400.
Oh Google it.
The Hardy Tree, St Pancras on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, old and crusty Fuji Neopan 400.
Oh Google it.
Urn, Nunhead on Flickr.
Via Flickr:
What I find so affecting about Nunhead is not that people believed they entered the afterlife there, but years after they died they entered a sort of afterdeath. Forgotten, but not gone. A promise of eternity broken within the span of a few generations.
Nunhead now remains as a memorial to graves rather than the dead.
Do check out the set of “The Grave” if you are that way inclined.
Shot on Ben’s Yashica Mat 124G with Neopan 400, which I shall miss when I give it back. Not the sharpest tool in the box (the Yash not Ben) but I liked composing on ground glass.
Dead Ivy, Nunhead on Flickr.
Via Flickr:
Expired Neopan 400, Ben’s Yashica Mat 124 G.
Of course to become this sort of derelict takes a lot of effort. Nunhead can bask in its gothic splendour because just enough maintenance goes on, but not too much to be kempt. The ivy looks like it beaten into submission once every five years or so.
Proper dereliction is impenetrable bramble. Inaccessible and therefore not romantic.
The burgeoning bourgeoisie of Victorian London thought they were purchasing a small slice of eternity, but stopping entropy entirely is a very expensive business. Top tip: granite.
Niche, Nunhead on Flickr.
Via Flickr:
Fuji Neopan 400 using a borrowed Yashica Mat 124 G.
The beginning of a new series of dedicated to the other main underground pursuit of Londoners, the grave.
Info: en.wikipedia.org/wiki/Nunhead_Cemetery
Battersea Church Road on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 65mm f/4 L, yellow filter, Neopan 400 expired 2002.
World’s End on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 65mm f/4 L, yellow filter, Neopan 400 expired 2002.
The towers of the World’s End Estate in Chelsea, unrepentant against the skyline.