May 11, 2013
Yew, Wilmington on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 65mm f/4 L, Fuji Neopan Acros developed in XTOL 1:2 13 minutes
Ancient.
The holes in the tree were filled with a family of crows.

Yew, Wilmington on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 65mm f/4 L, Fuji Neopan Acros developed in XTOL 1:2 13 minutes

Ancient.

The holes in the tree were filled with a family of crows.

May 8, 2013
Undercroft, Wilmington Priory on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Neopan Acros. Developed in XTOL 1:2 13 minutes.
Oh it’s been an age. I’ve been underground.
Work, moving, work, holiday, work. And a delightful springtime break at a Landmark Trust. A place so eyewateringly old you just load up and shoot.tubbfoto

Undercroft, Wilmington Priory on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Neopan Acros. Developed in XTOL 1:2 13 minutes.

Oh it’s been an age. I’ve been underground.

Work, moving, work, holiday, work. And a delightful springtime break at a Landmark Trust. A place so eyewateringly old you just load up and shoot.

tubbfoto

March 18, 2013
Break on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 65mm f/4 L, ancient Portra 400NCtubbfoto

Break on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 65mm f/4 L, ancient Portra 400NC

tubbfoto

March 18, 2013
Black/orange on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 150mm f/4.5 L, Fuji Provia 400Xtubbfoto

Black/orange on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 150mm f/4.5 L, Fuji Provia 400X

tubbfoto

January 15, 2013
Wicked and Fallen on Flickr.Via Flickr:
Scan of yer actual darkroom enlarged print.
Mamiya 7ii, Mamiya 43mm f/4.5L, Shanghai GP3 in XTOL 1:2
I have fallen into a wicked way. Part of my new things to do regime this year is to round off my photographic education and learn the other other half of film photography — printing. 
I just so happened to have moved round the corner in Brighton to a community run darkroom, so I have several books, a stack of cheap Ilford paper and two days per month to waste it.
So far so good.
It might sound crazy to invest in what might be seen to be a redundant skill, but I would urge any of you to try firstly a non-digital end to end process, and secondly a non-digital activity of any kind. The physical creation of photographs still makes my head dizzy - it’s like it shouldn’t be allowed. The digital world has made us all children in the face of the physical, and this feels like breaking all sorts of laws and social mores — and I say that not as a luddite but someone whose livelihood is well over there on the sofa of technological punditry.
Anyway I hope this will solidify my intent when I am out with the camera, and I will come to further appreciate tone and contrast. Also it will give me something to hang on my walls.
So a scan of the end of the process, instead of a scan of maybe halfway through.

Wicked and Fallen on Flickr.

Via Flickr:
Scan of yer actual darkroom enlarged print.

Mamiya 7ii, Mamiya 43mm f/4.5L, Shanghai GP3 in XTOL 1:2

I have fallen into a wicked way. Part of my new things to do regime this year is to round off my photographic education and learn the other other half of film photography — printing.

I just so happened to have moved round the corner in Brighton to a community run darkroom, so I have several books, a stack of cheap Ilford paper and two days per month to waste it.

So far so good.

It might sound crazy to invest in what might be seen to be a redundant skill, but I would urge any of you to try firstly a non-digital end to end process, and secondly a non-digital activity of any kind. The physical creation of photographs still makes my head dizzy - it’s like it shouldn’t be allowed. The digital world has made us all children in the face of the physical, and this feels like breaking all sorts of laws and social mores — and I say that not as a luddite but someone whose livelihood is well over there on the sofa of technological punditry.

Anyway I hope this will solidify my intent when I am out with the camera, and I will come to further appreciate tone and contrast. Also it will give me something to hang on my walls.

So a scan of the end of the process, instead of a scan of maybe halfway through.

November 28, 2012
Zombie Triples: Berry Vampire Attack on Flickr.Via Flickr:
Something different.
A film swap multiple exposure with the talented Faye Suzannah. Faye snapped some double exposures of the Brighton Zombies and then I shoved it in my 35mm Camera and took the roll for another spin up in the South Downs.
Put this on a 1960s Finnish tea towel. Go on try.
More of Faye’s Doubles on Double Dreams. Oh and if you want a massive indoor or outdoor hand painted mural Faye is your girl. 
TMAX 100 developed in Rodinal 1:25

Zombie Triples: Berry Vampire Attack on Flickr.

Via Flickr:
Something different.

A film swap multiple exposure with the talented Faye Suzannah. Faye snapped some double exposures of the Brighton Zombies and then I shoved it in my 35mm Camera and took the roll for another spin up in the South Downs.

Put this on a 1960s Finnish tea towel. Go on try.

More of Faye’s Doubles on Double Dreams. Oh and if you want a massive indoor or outdoor hand painted mural Faye is your girl.

TMAX 100 developed in Rodinal 1:25

November 23, 2012
Power Station II on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 150mm f/4.5 L, Fuji Superia Realatubbfoto

Power Station II on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 150mm f/4.5 L, Fuji Superia Reala

tubbfoto

November 22, 2012
Power Station I on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 150mm f/4.5 L, Fuji Superia Realatubbfoto

Power Station I on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 150mm f/4.5 L, Fuji Superia Reala

tubbfoto

November 16, 2012
Company on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Neopan Acros, XTOL stock

Company on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Neopan Acros, XTOL stock

November 15, 2012
Marram on Flickr.Via Flickr:
Nikon F100, 50mm 1.4 G, Agfa Vista 200 from Poundland overexposed here by probably three stops. It becomes grainless, takes on yellow and blue hues and is surprisingly nice to work with.

Marram on Flickr.

Via Flickr:
Nikon F100, 50mm 1.4 G, Agfa Vista 200 from Poundland overexposed here by probably three stops. It becomes grainless, takes on yellow and blue hues and is surprisingly nice to work with.

November 7, 2012
Stanmer Down on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Provia 400X pushed to 800. XPAN 65:24 crop.
Ah the Amex Stadium, at rest amongst the cushion-like hills of the South Downs with all the sensitivity of a discarded bag of chips. SEAGULLS!

Stanmer Down on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Provia 400X pushed to 800. XPAN 65:24 crop.

Ah the Amex Stadium, at rest amongst the cushion-like hills of the South Downs with all the sensitivity of a discarded bag of chips. SEAGULLS!

November 6, 2012
Sheep grazing on Ditchling Beacon on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Provia 400X pushed to 800
Let me be weak,
Let me sleep
And dream of sheep.

Sheep grazing on Ditchling Beacon on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Provia 400X pushed to 800

Let me be weak,
Let me sleep
And dream of sheep.

October 16, 2012
Twisted on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Shanghai GP3 100, XTOL 1:1 (10 minutes)
Exploration of forgotten thickets yield some incredibly contorted ancient ivy. Massive halation of the Shanghai from a 4 second exposure. I love it, except for the curliness of the negatives, so curly in fact that the latest batch managed to rip its way out of their negative sleeves. Or maybe the evil twistiness lives on…

Twisted on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Shanghai GP3 100, XTOL 1:1 (10 minutes)

Exploration of forgotten thickets yield some incredibly contorted ancient ivy. Massive halation of the Shanghai from a 4 second exposure. I love it, except for the curliness of the negatives, so curly in fact that the latest batch managed to rip its way out of their negative sleeves. Or maybe the evil twistiness lives on…

October 15, 2012
Avoidance on Flickr.

Avoidance on Flickr.

October 12, 2012
Collision on Flickr.Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Neopan Acros at 50, XTOL 1:1Tide Mills

Collision on Flickr.

Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Neopan Acros at 50, XTOL 1:1

Tide Mills