Yew, Wilmington on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 65mm f/4 L, Fuji Neopan Acros developed in XTOL 1:2 13 minutes
Ancient.
The holes in the tree were filled with a family of crows.
Yew, Wilmington on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 65mm f/4 L, Fuji Neopan Acros developed in XTOL 1:2 13 minutes
Ancient.
The holes in the tree were filled with a family of crows.
Undercroft, Wilmington Priory on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Neopan Acros. Developed in XTOL 1:2 13 minutes.
Oh it’s been an age. I’ve been underground.
Work, moving, work, holiday, work. And a delightful springtime break at a Landmark Trust. A place so eyewateringly old you just load up and shoot.
tubbfoto
Wicked and Fallen on Flickr.
Via Flickr:
Scan of yer actual darkroom enlarged print.
Mamiya 7ii, Mamiya 43mm f/4.5L, Shanghai GP3 in XTOL 1:2
I have fallen into a wicked way. Part of my new things to do regime this year is to round off my photographic education and learn the other other half of film photography — printing.
I just so happened to have moved round the corner in Brighton to a community run darkroom, so I have several books, a stack of cheap Ilford paper and two days per month to waste it.
So far so good.
It might sound crazy to invest in what might be seen to be a redundant skill, but I would urge any of you to try firstly a non-digital end to end process, and secondly a non-digital activity of any kind. The physical creation of photographs still makes my head dizzy - it’s like it shouldn’t be allowed. The digital world has made us all children in the face of the physical, and this feels like breaking all sorts of laws and social mores — and I say that not as a luddite but someone whose livelihood is well over there on the sofa of technological punditry.
Anyway I hope this will solidify my intent when I am out with the camera, and I will come to further appreciate tone and contrast. Also it will give me something to hang on my walls.
So a scan of the end of the process, instead of a scan of maybe halfway through.
Zombie Triples: Berry Vampire Attack on Flickr.
Via Flickr:
Something different.
A film swap multiple exposure with the talented Faye Suzannah. Faye snapped some double exposures of the Brighton Zombies and then I shoved it in my 35mm Camera and took the roll for another spin up in the South Downs.
Put this on a 1960s Finnish tea towel. Go on try.
More of Faye’s Doubles on Double Dreams. Oh and if you want a massive indoor or outdoor hand painted mural Faye is your girl.
TMAX 100 developed in Rodinal 1:25
Marram on Flickr.
Via Flickr:
Nikon F100, 50mm 1.4 G, Agfa Vista 200 from Poundland overexposed here by probably three stops. It becomes grainless, takes on yellow and blue hues and is surprisingly nice to work with.
Stanmer Down on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Provia 400X pushed to 800. XPAN 65:24 crop.
Ah the Amex Stadium, at rest amongst the cushion-like hills of the South Downs with all the sensitivity of a discarded bag of chips. SEAGULLS!
Sheep grazing on Ditchling Beacon on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Provia 400X pushed to 800
Let me be weak,
Let me sleep
And dream of sheep.
Twisted on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Shanghai GP3 100, XTOL 1:1 (10 minutes)
Exploration of forgotten thickets yield some incredibly contorted ancient ivy. Massive halation of the Shanghai from a 4 second exposure. I love it, except for the curliness of the negatives, so curly in fact that the latest batch managed to rip its way out of their negative sleeves. Or maybe the evil twistiness lives on…
Collision on Flickr.
Via Flickr:
Mamiya 7ii, Mamiya 43mm f/4.5L, Fuji Neopan Acros at 50, XTOL 1:1
Tide Mills